Notes on Stendhal, via Sebald, Beckett et al.
Sebald chooses soldier, lover and would-be writer Marie-Henri Beyle to open the first section of Vertigo. He never mentions him by his better known pen-name Stendhal, nor does he reveal that his...
View ArticleDenton Welch’s Maiden Voyage
I resolved to read Denton Welch this year, enthused by Des’s advocacy, though the timing was determined by catching sight of a rather distinctive edition of Maiden Voyage, his first novel, in one of...
View ArticleEliot, Schmidt: Sinking into Tranquility
It would be boring to say much about Middlemarch, acknowledged by so many as the most accomplished English-language novel of the nineteenth century. It affected me like a piece of fine music, in part...
View ArticleMichael Schmidt’s The Novel: A Biography
Michael Schmidt’s The Novel: A Biography is an odd book. It does almost none of the things histories of literature do. It doesn’t start with Defoe. It doesn’t dissect texts in any conventional sense....
View ArticleThoughts on Fanny Howe’s Nod
Still five days remaining, but Fanny Howe’s Nod might be a place to rest for the year. Maybe some poetry or philosophy to conclude. Some big books this year, Middlemarch, Schmidt’s The Novel, Anthony...
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